House of Culture (2023) is an installation that intertwines material evidence of war with deep cultural memory. Created from fragments of a building in the Kherson region that was severely damaged by shelling, it incorporates an original chandelier salvaged from the House of Culture in the city of Beryslav, which was under Russian occupation until late 2022. This work continues the artist’s earlier gesture in the Carpathian Mountains, where she transformed a modest mountain house into her own “palace of culture.” Despite the humble and deteriorated state of both structures, they resonate monumentally.